Coloured again - episode one thanks to Babelcolour |
If I loved Don Houghton’s first Doctor Who story, ‘Inferno’
(which I did) he was going to have a lot to live up to in his second story,
‘The Mind of Evil’, and he didn’t disappoint! ‘The Mind of Evil’ is a cracking
tale that never lets up over six episodes. Recently returned to colour, the DVD
is fantastic. The colour results on this one are far superior to that of
‘Ambassadors of Death’, and episode one was re-colourised from scratch by the
incredibly talented ‘Babel Colour’.
Firstly, it is probably the most adult-orientated story I
have seen in Doctor Who. Some stuff is pretty
confronting and pretty ‘real’ for
want of a better word. Much of the story is set in a prison, and the sets are
superb, and the director, Timothy Coombe, achieved a genuine feel of a prison,
rather than a pantomime ‘don’t scare the kids to much’ feel that they might
have gone for a year earlier.
The direction on this one is absolutely top-notch, and I was
saddened to find this was Coombe’s last contribution to Doctor Who. Having
overspent and having to remount a day’s filming, Producer Barry Letts decided
not to re-engage the director and was clearly not happy. Personally I think it
was worth it. The scenes when UNIT storms the prison are excellent, but hey, so
is the whole story.
The Doctor is subjected to the Keller Machine. |
Houghton very cleverly ties three strands of story together
– the prison, the peace conference and the moving of a gas missile. He weaves
the Master into the plot wonderfully and has created the Keller machine that
sucks evil out of people, and then uses that evil to attack others. But my
favourite bit of scripting is the use of the character ‘Barnum’, played by Neil
McCarthy. The prisoner receiving the Keller process at the start of the story
is only in the periphery for the next five and a bit episodes, displaying a
child-like understanding of the world with ALL his evil impulses removed. Then
suddenly it turns out he is the key to controlling the Keller machine in the
last fifteen minutes. Wonderful use of re-incorporation, although a sad ending
to the story.
Mailer (left) with Doctor Summers at gunpoint. |
Which is fine – in fact the gravity and sadness of what has
gone on through the story dictates that it’s not going to be all smiles and
happiness when the machine is dealt with, and it’s nice to see the Doctor and
Jo (especially) aggrieved over the death of Barnum, as so many on-screen deaths
in Doctor Who are somewhat glossed over.
There’s a fair bit centred around the Chinese delegation at
the Peace conference, and it’s interesting that back in 1970-71 they considered
China to be such an important player on the world stage. Consider today they
are pretty much the most powerful country on the Earth, it’s a good piece of
prediction. The only downside to the
scenes in the Chinese delegate’s rooms is
the dragon which isn’t so convincingly done, but they worked hard to use
authentic language and had people who were actually Chinese playing the Chinese
parts. Something else they are to be commended on.
Don Houghton, I have found out, never wrote another Doctor
Who story which is truly a pity. His scripts presented real characters in
unreal situations, but not situations outside the realms of imagination. ‘The
Mind of Evil’ is less apocalyptic than ‘Inferno’, but is still confronting and
frightening.
Pik-Sen Lim |
The casting was spot on too. Barnum I have already
mentioned, but the casting of William Marlowe as Mailer couldn’t have been more perfect.
He was able to portray a believable character that was easy to hate and fear as
an audience member. Coombe did well to find good Chinese actors, with Don
Houghton’s wife, Pik-Sen Lim, perfect for Captain Chin Lee. Benton has a tough
time in this story, but John Levene does an excellent job of collapsing and
getting hit on the head. Mike Yates is given some dynamic stuff to do as well,
Richard Franklin must have enjoyed this one particularly and nice to see him
return and become a regular cast member.
It’s probably Pertwee’s best story to date, as the actor delivers
a wonderful monologue to Jo in episode four or five, and all the regulars get a
good go. Finally, I must mention Michael Sheard as Doctor Summers, he’s been in
everything (and regularly scored roles as Hitler), and this is his second
Doctor Who tale – his first ‘The Ark’. Fine piece of acting and casting. Loved
this story.
10/10
No comments:
Post a Comment