Style's house, the Doctor arrives! |
Guerillas hold the Doctor hostage. |
The Daleks are back to kick off the ninth season after a
long absence! I watched the special edition for this one, and I thought it was
pretty awesome, although I hear the Daleks sound funny in the original version?
Nevertheless it’s a very intelligent, clever script by Louis Marks, writing his
first story since ‘Planet of Giants’. It’s fair to say the two stories are not
similar in any way! Which is a good thing for this tale!
We’ve seen space and time played with a little since Jon
Pertwee started as the Doctor, most notably in ‘Inferno’ with the idea of an
alternative reality. ‘Day of the Daleks’, originally written without the
Daleks, explores the ideas of trying to change the past to change the future,
and the circular logic which locks you in when you try.
Guerrillas from the future come back to murder a man they
believe started World War Three by blowing up a house with a host of delegates
inside. Turns out it was the guerrillas that blew it up in the first place! Oh
the irony! But it’s also the real strength
of this story, it’s use of time and the inability for people to see what was
their own fault.
Aubrey Woods |
The script isn’t perfect. The Daleks have invaded earth (in
the 22nd century) to exploit it for its minerals – seems a bit
dubious and low-key for the Daleks. The previous time they invaded the Earth
they wanted to take out the core and use the planet as a giant space ship.
There’s a good balance of film shooting and studio stuff.
However the Doctor’s laboratory, where again we have the TARDIS console outside
of the TARDIS, has a door way that leads out to a passageway which is just
bright yellow! I’m not sure why, the Doctor and Jo had to be inlayed in the
doorway which explains it production-wise but not within the world of the
story.
The chief guest star of the story was Aubrey Woods, who sang
the ‘Candy man’ song in Willy Wonka and the Chocolate Factory all those years
ago and has a certain eeriness about him – and also is a little like Liberace.
The performance given as the Controller seems to be one of conjecture – it is
very theatrical in nature and certainly not naturalistic. In some way it just
adds to the weirdness of the future Earth.
Again Sergeant Benton has a case of the unbelievable
happening before his eyes, when a guerrilla disappears before him in the
ambulance. In ‘The Mind if Evil’ especially he
has a series of things go wrong when he loses Captain Chin (after she
knocks him out), in ‘The Daemons’ he steps into a force field which lashes him
about. Interestingly, there is a rare example of Captain Mike Yates (Richard
Franklin) pulling rank on Benton, when he tells him to do his round and then
nicks the cheese and biscuits.
Strange scene with yellow corridor. |
Jon Pertwee’s Doctor
is not the anti-authoritarian figure we have seen in stories such as
‘The Silurians’ and ‘The Claws of Axos’, in this one. Instead he is impressed
by Sir Reginald Style’s wine collection and sticks up for Styles when the
guerrilla’s accuse him. Styles is very much an establishment figure of British
Government and the person the guerrilla’s have returned to kill. Interestingly
also, the exact date isn’t given in this story – nor in any other Pertwee
story. Of the day and the month is, but not the year, so as to keep it
ambiguous exactly when the Pertwee adventures are taking place. The brief was,
apparently, the near future.
I understand the biggest change bar Dalek voices for the
Special Edition is the Dalek battle at the end, which
Daleks and Ogrons, their helpers, approach the house. |
9/10
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